Dulat Issabekov was an outstanding Kazakh writer, playwright, and public figure whose work became an integral part of the cultural and literary heritage of Kazakhstan. His books – including Sin, The Cry of an Old Woman, A Broken Life, and The Long Echo – are known for their psychological depth, sharp observation, and deep respect for human destiny. He had a rare gift for telling stories that resonated with readers far beyond the borders of his homeland.

For many years, Issabekov maintained a close relationship with Eurasian Creative Guild (London), actively participating in its cultural initiatives and public events. Through this collaboration, several of his works were published in English by Hertfordshire Press, marking a significant milestone in bringing Kazakh literature to a wider international audience. His involvement with the Guild helped strengthen cultural bridges between Kazakhstan and the United Kingdom, making his name a symbol of literary dialogue between East and West.

A particularly remarkable moment in his international career was the Australian stage production of his play Borte, directed and adapted by the acclaimed composer and theatre director Warren Wills. The performance received praise from critics and audiences alike, demonstrating how the themes and artistic language of Issabekov’s work could transcend borders and speak to people from different cultures.

Issabekov possessed a unique talent for blending the national with the universal. His writing addressed themes that are timeless and human: love, memory, dignity, loneliness, and hope. He did not merely tell stories about Kazakhstan – he spoke in a language that could be understood anywhere in the world.

The memory of Dulat Issabekov lives on in his books, in the theatre, and in the hearts of those who found a part of themselves in his words. His voice – clear, powerful, and profoundly human – continues to resonate, ensuring that his legacy will endure for generations to come.